Illinois State Library

Illinois Center for the Book


Individual Author Record

General Information

Name:  Frank Lloyd Wright  

Pen Name: None

Genre:

Born: June 8, 1867 in Richland Center, Wisconsin

Sites:


Illinois Connection

Frank Lloyd Wright moved to Chicago in 1887 where he joined the architectural firm of Joseph Lyman Silsbee. Within the year, he had left Silsbee to work for the firm of Adler & Sullivan as an apprentice to Louis Sullivan. In 1889, he married his first wife, Catherine Lee "Kitty" Tobin (1871-1959) and purchased land in Oak Park, Illinois. There, he built his first home and studio.

Biographical and Professional Information

Frank Lloyd Wright is considered to be one of the founders of modern architecture. He is regarded by many as the greatest arechitect of the twentieth century. He was born in Richland Center, Wisconsin but began his career in Chicago. Some of his most famous examples of architecture are located in the Midwest. Wright authored twenty books and numerous articles and was a popular lecturer in the United States and in Europe.


Published Works Expand for more information


Titles At Your Library

The Disappearing City
ISBN: B0000EF481

William Farquahar Payson. 1932

Experimenting with human lives
ISBN: B0006AXGCS

Fine Art Society. 1923

Modern Architecture: Being the Kahn Lectures for 1930
ISBN: 0691129371

Princeton University Press. 2008


Modern Architecture is a landmark text--the first book in which America's greatest architect put forth the principles of a fundamentally new, organic architecture that would reject the trappings of historical styles while avoiding the geometric abstraction of the machine aesthetic advocated by contemporary European modernists. One of the most important documents in the development of modern architecture and the career of Frank Lloyd Wright, Modern Architecture is a provocative and profound polemic against America's architectural eclecticism, commercial skyscrapers, and misguided urban planning. The book is also a work of savvy self-promotion, in which Wright not only advanced his own concept of an organic architecture but also framed it as having anticipated by decades--and bettered--what he saw as the reductive modernism of his European counterparts. Based on the 1931 original, for which Wright supplied the cover illustration, this beautiful edition includes a new introduction that puts Modern Architecture in its broader architectural, historical, and intellectual context for the first time.


The subjects of these lively lectures--from "Machinery, Materials and Men" to "The Tyranny of the Skyscraper" and "The City"--move from a general statement of the conditions of modern culture to particular applications in the fields of architecture and urbanism at ever broadening scales. Wright's vision in Modern Architecture is ultimately to equate the truly modern with romanticism, imagination, beauty, and nature--all of which he connects with an underlying sense of American democratic freedom and individualism.

An Organic Architecture: The Architecture of Democracy
ISBN: 0262230445

The MIT Press. 1970

In May 1939, when London's architecture could only wait helplessly before the coming destruction and man's spirit—and spiritual claims—were at a low ebb, Frank Lloyd Wright delivered four talks to some young British architects. In these talks he affirmed his belief in the future with a positive conviction that was reinforced by the derision with which his acidulous wit reacted against the sterilities of the past. Wright on this occasion was as ever the conscious radical jeffersonian whose message resonates with every "younger generation":

At the outset I may as well confess that I have come here with a minority report: an informal Declaration if Independence. Great Britain had one from us, July 4, 1776: a formal Declaration of Independence which concerned taxes

this one, May 2, 1939, concerns the spirit. Am I, then, a rebel, too? Yes. But only a rebel as one who has in his actual work, for a life-time—or is it more—been carrying out in practice day by day, what he believes to be true.

This book is the verbatim text of those four talks, which a champion of Wright's has called "one of the best statements of his principles and his ideas." The talks, like all of Wright's productions, are free-ranging and spontaneous in inspiration, solid and workmanlike in execution.

In speaking to Londoners at this point in their history and at this point in his own development, Wright is prompted to universalize his concept of organic architecture. Perhaps more than this in his other books, the emphasis shifts from an American—Usonian—architecture growing indigenously from the soil of the American heartland to a more general concept of an architecture than can take root in many landscapes as an honest expression of both the nature of diverse materials and the nature and living needs of diverse populations.

What is architecture anyway? Is it a vast collection of the various buildings which have been built to please the varying tastes of the various lords of mankind? No. I think not. I know that architecture is life

or at least it is life itself taking form and therefore is the truest record of life as it was lives in the world yesterday, as it is being lived today or ever will be lived. So architecture I know to be a great spirit. No, it is not something that consists of the buildings which have been built by man on his Earth. Architecture is that great living creative spirit which from generation to generation, from age to age, proceeds, persists, creates, according to the nature of man, and his circumstances as they both change. That really is architecture.

Three of the talks open with Wright's narration of films showing examples of his recent work and life with his apprentices at the Taliesins. Here Wright is at his informal best, and the visual references are supplied in the book by the photographs of finished buildings, models, and plans at the end of the volume, dating from projects of the 1930s and roughly paralleling the content of the films. A bibliography and a list of buildings and projected works through 1939 round out the volume.

Frank Lloyd Wright: An Autobiography
ISBN: 0764932438

Pomegranate. 2005

Frank Lloyd Wright exerted perhaps the greatest influence on twentieth century design. In a volume that continues to resonate more than seventy years after its initial publication, Frank Lloyd Wright: An Autobiography contains the master architect's own account of his work, his philosophy, and his personal life, written with his signature wit and charm.

Wright (1867-1959) went into seclusion in a Minnesota cabin to reflect and to record his life experiences. In 1932, the first edition of the Autobiography was published. It became a form of advertising, leading many readers to seek out the master architect--thirty apprentices came to live and learn at Taliesin, Wright's Wisconsin home/school/studio, under the master's tutelage. (By 1938, Taliesin West, in Arizona, was the winter location for Wright's school.)

The volume is divided into five sections devoted to family, fellowship, work, freedom, and form. Wright recalls his childhood, his apprenticeship with Dankmar Adler and Louis Sullivan, the turmoil of his personal life, and the background to his greatest achievements, including Hollyhock House, the Prairie and the Usonian Houses, and the Imperial Hotel in Tokyo.

Genius and the Mobocracy.
ISBN: 0818000228

Duell, Sloan, and Pearce. 1949

Frank Lloyd Wright's intimate account of his personal and aesthetic relationship with Louis Sullivan, founder of modernism in architecture, with drawings by both artists, and two essays by Sullivan himself

The Future of Architecture
ISBN: B0011W6UKA

New American Library. 1953

The Future of Architecture [Paperback] [Jan 01, 1953] Wright, Frank Lloyd

The Story Of The Tower: The tree that escaped the crowded forest
ISBN: B0007DNYA8

Horizon Press. 1956

The Price Tower in Bartlesville, Oklahoma is an innovative building that changed the horizon of the Oklahoma prairie and the world of architecture. The tower was constructed for the H.C. Price Company as its world headquarters. The Price Tower is Frank Lloyd Wright's only realized skyscraper. Wright took his inspiration for the cantilevered design from a tree. In fact, the Price Tower has been called the tree that escaped the crowded forest. Wright wrote this book, The Story of the Tower, documenting the Price Tower and its construction.

A Testament / Frank Lloyd Wright
ISBN: B0007DQ248

Horizon Press. 1957

A Testament by Frank Lloyd Wright. This is his last book. Total of 256 pages. Hardcover with a fair to rough dust jacket, aged, worn and torn. Book has solid, cloth boards with some soiling and stains. The text is Clean and spine is tight. There are over 200 illustrations. The book contains a collection of essays which includes architecture, history and details about his life. A really nice olf book that is out of print. Cloth beige boards are showing signs of browning and soiling. Some included fold out pages that show super large picture of buildings. Excellent purchase price due to its condition.


Awards

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